Composition is King

How the painting is put together, the design, the composition will always be the most important element of painting to me.

That’s why I have a list of images in queue ready to be started but waiting for a solution to design problems. This is one of those images. Even though it had a lot going for it, the colors were washed out and the photo was flat, no real contrast. Having no distinguishable dark areas and light makes it hard to compose a painting, so I decided to really push the values where I needed them in order to make a good break up of the space.Ticket-draw

An exploratory sketch, my way to flesh out the idea, confirmed that this could work. Of course you never really know until some paint is on the canvas, but it seemed the odds were good for success!ticket-draw2

Starting with the darks, the framework, the anchor, I used Burnt Sienna to get a warm glow underneath the build up of paint I was planning to do. I wanted to keep the darks moving through the picture. I remember once someone said you should be able to walk across the darks in your paintings.

Ticket to Ride by Diane Eugster
Ticket to Ride by Diane Eugster

I used Gamblin’s oil priming on the canvas for this painting, it creates a slick surface but provides a ground where a lot of textural effects can be used, which was great for this subject with old wood surfaces.

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