Wow, this happened to me in second grade, now it’s happened again.
Because of circumstances beyond our control John and I are in . . well. . . John would say “real estate hell”, I would call it an escrow holding pattern.
Living in an empty house with only a mattress in the living room is not an ideal situation. All of my art supplies from my easel to my paints are in storage containers in transit to Phoenix. The good news is that losing one’s self in art can be as simple as a pencil and pad of paper.
I’ve always had a hard time with anatomical charts of front or back facing diagrams with color coded muscles to memorize. This “inside outward” approach seems so removed from what we are working with as artists. Stan’s approach starts with the outside surface, and works inward.
When painting from a live model, have you ever had a situation where the lighting was so poor that minimal anatomical information was evident, leaving you to “make things up?”. That’s fine if you’re a landscape painter, pushing a tree over or adding a mountain, but if it’s a figure “things” can’t be randomly manipulated…unless you have a working knowledge of what’s happening under the surface. This opens up a world of possibilities to enhance the design, movement and expression in a painting.