What makes the “right” frame?

Several years ago I went to an unusual event. Models were hired by a local photography studio, and all those who had a digital SLR camera could take pictures for a price.

Ten or so of us stood in line for our turn at five minutes with the model. This meant directing her while using the props and strobe lights that were available in the space.

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This young woman stood out with her pink dreadlocks/shaved head hair style, heavy makeup and cartoon tattoos . I sensed that under all the distractions there was a whole other girl, so that’s the girl that I painted.

goldframe

For a long time this was the frame on the painting. When I took it out the other day it was clear this was not a good choice. Why?

These are the things I look at now when choosing a frame;

-What is the dominant temperature? Warm, which the gold frame is . . however

-What is the largest area of color (or dominant color), medium size color, accent color? Dark brown, orange and gold, some blues (in order). This is the problem

By putting a gold frame on this, it is adding way more gold to the overall image, making gold no longer an accent in the piece, and throwing the balance in the painting off.

Also the bright gold next to the dark background makes it hard to see the subtle darks, the eye just can’t get past the jarring move from light gold frame to dark background.

IMG_2641

My husband John made this frame for her that is so much better. This ebonized Red Oak, dark wood frame enhances the colors in the background, while the nail head trim matches the edginess of the subject.

The next time you choose a frame, ask yourself if it continues with the balance you’ve developed, being a supporting cast member, or is it screaming for attention over your subject.

 

 

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