Simplify and Exaggerate

BalletcropblogThis is a image I’ve had for at least seven years, in fact it was painted once before.

It’s fun to come back and see how your eye for design has changed. The first time around I saw it as ; lacking color contrast (in the flesh tones) and having a weak composition.

The key is to simplify and exaggerate. Keying in on the simple shapes means grouping things together, even if they don’t look like anything, that might be alright or they may morph into something that is recognizable later.blog-shoe1

I chose a square format and starting with anchoring dark shapes to the top and bottom,  focusing on a triangular design. It’s always good to have the center of interest attached to  an edge so that it doesn’t appear to float in the space.blo-shoe2

At this point it’s more about deciphering the light condition. This took place in a large rehearsal room with lots of overhead lights plus more light coming in large windows. No wonder things appeared washed-out, but looking closer reveals how the light is showing the form, like on the top plane of her back.

All that clutter on the right is reduced to a violet patch of color. blog-shoe3

Here, all the areas have been generally massed in and decisions need to be made.

  • First, do I want to bring back some of the information in the background? Yes, it will help with the story to give some clues about her surroundings.
  • Is there anything that doesn’t help the story or composition? Yes, her distant arm bend is a tangent with the foreground hand and shoe she’s holding. Speaking of the shoe, it doesn’t read well as a shoe, could I edit the shape to make it more shoe like?blog-shoe4

I like that arm outstretched more, plus the shoe and distant ballet information simplified!

 

 

30 Paintings in 30 Days, day 28 and 29

Day 28’s painting was another from photos I took while at the ballet practice of our Nevada Ballet Theater.

PracticeLR

PracticeLR2

The one above is the new one, the one to the left is the first one I painted about 2 weeks ago.

I tried something different, in the one to the left I painted the figures first, than the room around them, the newest one, above, I painted the room, than the figures on top. I think I like the new one best, the colors are a little more muted because they have intermingled with the room, and the edges are softer.

LookingBackLR

Day 29 was a nude figure- Her red hair against all the blue-green is what appealed to me about the image. Locating the warm to cool passages in the shadows helped to turn the forms.

30 Paintings in 30 Days, day 5

I’ve decided what I’m doing is a self-induced painting workshop, where I’m the student and the teacher. The down side is there isn’t the stimuli from instructor and other students, the upside is I have to learn to teach myself. Being that painting is a solitary pursuit, learning to teach myself more effectively is a very handy skill to have.

This painting, which is available on my Daily Paintworks site, is from a photo I took while being fortunate enough to photograph our Nevada Ballet. I found the time before the practice was the most interesting. Some dancers stretched, while others gathered in groups to chat. The girl in the painting was concentrating heavily on fixing the strap on her point shoe.

The palette I chose was Yellow Ochre, Cad. Red Deep, and Ivory Black.

MendingHerShoeLR2